Final Poster
What I wanted for the concept of this poster and my process was to show a representation of what Max Richter is. A movie. To evoke the duality in his sound: warmth and melancholy, groundedness and abstraction.
Motion Video Process
1. I wanted to capture the name and his self-conscience as cinematography itself by using the motion of light and shade.
2. The blinding fading lights in the back for a dramatic entrance on a film is an idea central to post-minimalist storytelling that also captures evolving motifs he often builds in his music.
3. Each instance becomes like a note in a score—familiar, but slightly altered through placement, color, or interaction with light and shadow.
Poster Drafts
Type?
As for type I wanted a mechanical rhythm while still feeling intimate and reflective. The placement of blocks and blurs suggests not only the play of light but the fleeting nature of memory.
Memory House - Max Richter
Conclusion
Max Richter is not just a creative mind, but a therapist who can generate the work of an image of emotion, self-reflection, nostalgia, and more with the sound of not only a piano but his genius. This design Is an emotional preview. A visual overture. A small tribute to the immersive world Max Richter constructs through sound: part cinema, part therapy, and being human.
